The line of our suppliers stems from the need to connote a personal stylistic figure to our range of products and services, and we would dare to say its conceptual and philosophical to the way in which the image professional approaches with these indispensable tools in the presentation of his work. In order to avoid the risk of a dispersion in the plethora of available proposals, where often even unconsciously we end up focusing the attention of operators and professionals of the image on external aspects or totally marginal to the essence of the product itself. Album Faber focuses exclusively on its products, both in form and in content. Placing the product in the center and in the foreground free and free of unnecessary frills that are a corollary. Knowing to grasp in the true essence not only of what it must be, but above all of what it must represent. An expert professional can not fail to notice in our albums, first of all the high quality of our photographic prints, which without any issue of denial, our customers define simply excellent. And continuing, he will be able to focus his attention on our care and attention to the quality of every detail and the precision of each finish. In order to achieve this result, we believe that none of the delicate stages of processing deserve to be neglected or to be left to chance. But above all because, simply, we think we do everything that are animated by a sincere passion and an absolute dedication to our work, which can only return excellent results. we have chosen for our customers the best of technology mixed with our creativity. Of which our absolute priority is to highlight our shots in the final result of a perfect print. By making our stories shine with our own light. In fact, placing it at the center of our "world". our goal and our satisfaction is fully accomplished only when full customer satisfaction is achieved. Beyond the numbers. The ill-concealed aspiration of our modus operandi is the recovery of Photography as a pure art form, not strictly anchored to industry and the market. The road to be taken is to contemplate this Art: Photography; like painting. Not as a real tool for the mechanical representation of images, but as a noble language to decline its most recondite expression.